Sand Dunes

You are invited to join...

FluteXpansions Sonic Immersion

21 June – 16 July, 2021

By  interview application only - Enrollment spots are limited
Apply to ask about scholarships and assistance!

4-week virtual experience

for flutists or flutist/composers ready to...

deep-dive into the contemporary flute universe

AND who want to...

stimulate their curiosity, 

expand their expertise, 

& supercharge their artistic voice


Artistic Director

FluteXpansions Co-Founder

Enrollment is now closed, Join the mailing list for next year's course

Karjaka Studios - Shanna Pranaitis - Low

Sponsors of Sonic Immersion 2021

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Whether you are an experienced practitioner with contemporary flute music and looking to further expand your expertise in a specific area, develop a specific project, OR just want an inspiration jolt...

...A professor or teacher looking to understand contemporary flute music and techniques at a deeper level to help your students tackle the repertoire of today...


...OR you’re relatively new to the techniques and aesthetics of contemporary flute music and looking for help going deeper for yourself.

...This is for you!

Meet The 2021 Faculty Artists



FluteXpansions Co-Founder



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Anne Le Berge HR© Keke


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Ginevra Petrucci   Timothy Hagen
Morgann Davis     Meerenai Shim
Eva Kingma         Hilary Abigana
Jenny Clift

This is the ultimate experience for flutists & flutist/composers who are...

  1. Obsessed with sound (and want to be geeky about it!)

  2. Eager to explore how contemporary music improves all aspects of flute playing

  3. Curious about creating and exploring the music of today

  4. Craving more freedom, artistic expression and impact


And who want...


  1. Access to top expert practitioners’ mentorship (come inside our world!)

  2. Space to explore new skills, ideas, and projects 

  3. Supportive community focused on learning and growth

  4. A family of bonded colleagues

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Mary Stolper

Bravo to Shanna and the team of outstanding Flutists. Let them show you how they prepare and execute some of the classics of contemporary music, and how to interpret music just written. You will be amazed how much this helps your overall flute abilities. This new program should be on your speed dial!!!

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Ali Ryerson

As a jazz flutist, I've always encouraged my students to develop their own "voice" in music. I'm sure my friend Shanna Pranaitis plans to take that concept to new  heights with her "Sonic Immersion" workshop! Plus, she's invited some of the most wonderfully creative AND fun guest artists to join the faculty, including two of the coolest cats, my buddies Carla Rees and Matthias Ziegler! Not to be missed!


Timothy Hagen

I am so excited to join the Sonic Immersion team! To be among other flutists who believe, as I do, that exploring all of the flute’s sonic capabilities makes us more expansive artists, is a powerful, joyous experience. Participants will feel that power and joy firsthand, I have no doubt.

Inside this four-week experience, you will have the opportunity to: 


  • Set your own intentions for expanding your artistic expression and find mentorship support to pursue them

  • Build deep working relationships with like-minded flutists and flutist/composers

  • Master the contemporary repertoire on major competition lists

  • Develop skills and a deeper understanding of improvisation, composition, and electronics integration

  • Experience artistic growth that expands professional opportunities and creates powerful musical encounters for audiences and students


This is a special opportunity to share techniques and inspirations with kindred spirits around the world. We will be sharing our solutions to new and old flute conundrums plus helping you to open creative doors for yourselves.

Anne La Berge, faculty

This is NOT  your typical summer flute program!

Do you ever wonder if you’re the only one who feels and thinks about sound and music the way you do?

We get it – good news, you’re not alone, we’re here with you!

What if you had time to absorb and digest ideas while receiving mentorship on incorporating what aligns with your artistic voice and goals?

Not everything needs to happen at lightning speeds or be your thing.


When was the last time you were given a supportive space to explore and experiment freely without pressure to perfect or “right”?

Let’s get messy together and explore all the possibilities!


Are your curiosity and imagination itching for a broader aesthetic experience of what music and sound can be?

Come be radically slow with us and do some creative exploration of what lights you up!

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For too long...

FALSE myths about contemporary flute techniques

and music have been promoted

Myth 1:

 "Playing (too much) contemporary music damages your flute playing."


Playing contemporary music and techniques makes you a better flute player all around.

  • The ability to play and hear microtones accurately improves your pitch overall.

  • Understanding and embodying complex rhythms improves your overall rhythmic sense.

  • Learning to develop your own ideas and interpretations allows you to bring fresh, carefully considered and authentic interpretations to music from any period of time

Myth 2:

 "Contemporary techniques hurt your flute."


Improper instrument cleaning or maintenance does more damage than any playing technique ever could. 

  • Swab out regularly! Excess moisture weakens pads. 

  • Get regular COAs​

Myth 3:

 "If you play in orchestra you won't play contemporary music."


Here is a SUPER short list of orchestras who have recently premiered new works and/or performed contemporary music:

  • Seattle Symphony, LA Philharmonic, Metropolitan Opera, NY Philharmonic, Orchestra Filharmonica di Torino, London Sinfonietta, Berlin Philharmonic, Shanghai Symphony Orchestra, Detroit Symphony, Helsinki Philharmonic Orchestra… etc...

You need to be ready for it. 

Myth 4:

 "Standard repertoire is better/more important than contemporary repertoire."


Every piece of music was once new and had new challenges in it for the musicians and audiences of the time...

...Ergo, by this line of reasoning: nothing has been worth listening to or playing since the first notated music found on a cuneiform tablet in Babylonia in approx 1400BC.


It’s time to eliminate 20th & 21st century-sized holes in our repertoire & training.

We’ve ALL heard these myths and experienced an unfulfilling festival or unpleasant class atmosphere at one time or another.

It doesn’t have to be this way! 

The personalization of Sonic Immersion’s curriculum represents an innovative approach to the summer academy model. I am beyond excited to work with students on their journey through flute, electronics, and improvisation in an environment of open experimentation.

Melody Chua, faculty

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What would it be like to expand your artistic toolbox in a community-centered program dedicated to growth...

...where you can be imperfect and supported with mentorship while you experiment in any aesthetic and hone necessary professional skills?

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  • Feeling superpower confidence to build the sound world and interpretation of any piece in an authentic way for you and your body 

  • Being an artist of and for your time

  • Having a global family of bonded colleagues who celebrate your work and support you

  • Feeling confident in your prowess with electronics and multi-media integrations

  • Creating powerful sonic experiences for yourself, your audience, and your students

  • Being the first-call flutist when someone programs new music

  • Never having to say “I don’t know how to do that” in front of the orchestra

  • Collaborating with brilliant composers on boundary-breaking projects

And Especially…

Indulging your unlimited potential of artistic expression

This is what FluteXpansions Sonic Immersion is all about!

Hi there!

I’m Shanna Pranaitis – radically traditional flutist, teacher, coach, and the Artistic Director of FluteXpansions. 

I help flutists unleash their unlimited potential for artistic expression to create more joy in their lives and highly impactful careers.


I am also obsessed with sound – I’m endlessly fascinated by it. 


Let’s stop and take a moment to appreciate just how amazing what we do as flutists really is. We take invisible air and turn it into something that can be heard and felt physically by blowing through a tube with holes in it. 


Photo credit: Memoires en Or, Mouna Tahar

Our biggest obstacle as flutists is the belief that some technique is normal and some is extended.


Here in the 21st century, it is ALL simply technique we use to create sound (aka music).   

In fact, there is nothing new about these sounds. Microtones, glissandi, percussive sounds, etc, have been used in flute music from around the world for thousands of years. It is far more traditional to incorporate a full range of sound possibilities into music than exclude them. 

I believe the most (radically) traditional path for any artist in any discipline is to create and make the art of their time. 


For flutists that means:

  • Mastery of all the different ways we can make sound with our instruments

  • Performing, learning and teaching contemporary music with the same level of excellence expected for Mozart, Bach, and orchestral excerpts.

  • Actively participating in the creation of new works for our instrument (as a performer, commissioner, collaborator, and/or a composer!)

  • Creating powerful experiences for audiences by curating programs that provide context for new works (possibly in dialogue with other styles and time periods)

  • Cultivating curiosity and awareness of all aspects of sound creation as perpetual learners


I’ve been captivated by contemporary music since I was 13, but what sealed my fate was hearing George Crumb’s string quartet, Black Angels. I had no idea music could sound like that, and I’ve been exploring sound ever since.


It wasn’t always easy. My early passion for contemporary music left me feeling confused by general attitudes towards new music and creatively out of place in university programs primarily focused on old music. Fortunately, I had amazing mentors, an addiction to learning, and unfailing curiosity to keep me going. 


I have forged my own path – commissioned and premiered hundreds of works with colleagues around the world, founded ensembles, curated festivals, and developed tools I now share with students.


I’m not about choosing between historical repertoire or creating new music – I want BOTH! 

Cultivating curiosity and awareness to include ALL sounds as musical possibilities is the key to releasing the unlimited potential for artistic expression in each of us. 


FluteXpansions Sonic Immersion was created to provide a safe space for exploration, growth, supportive community, and mentorship, while immersing yourself in a world of sonic possibilities.


I have continually made it a priority to surround myself with inspiring mentors and colleagues who have forged their own luminary paths as flutists and artists. It is a priceless network of support and community.


The faculty for FluteXpansions Sonic Immersion are those whose relationships have been so meaningful to me, and I can’t wait to share them with you! 


It's really exciting to be here in the company of some of my favorite flutist-friends and colleagues! Thanks to my flute teachers like Alex Murray, Julius Baker or Marcel Moyse, and to my decades of experience collaborating with composers such as Karlheinz Stockhausen and Vinko Globokar in the 80's, and, of course, Kaija Saariaho and many others since then, I've collected a huge assortment of tools for you to use in developing in your own playing. Can't wait to share it with you!

Camilla Hoitenga, faculty

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FluteXpansions Sonic Immersion is going to be an event like no other! I am so excited to join forces with a stellar roster to provide a unique, immersive experience dedicated to contemporary flute playing. You will be able to explore the expressive potential of your instrument in new ways, delve into your musicianship, learn new skills, and get inspired by an amazing artistic community. This is the program I wish existed when I was getting into new music!

Ginevra Petrucci, Guest Artist

I am inviting into our world a handful of highly motivated flutists and flutist/composers who are ready for...

...deep, intellectually rigorous explorations of sound and a bonded community of radically traditional artists. 


You’ll get the support of the faculty artists over the course of 4 weeks to pursue your personalized journey...

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What are the key focus areas in this 4-week creative adventure?


Sound is at the center of everything we do as performers, improvisers, or composers. You’ll get everything you need to cultivate the sounds and techniques as artistic tools. AND we’ll teach you all the benefits of an expanded sound palette for your flute-playing and all your music-making. 



Go deep into structure and form and delve into strategies for creating your own interpretations based on a solid understanding about the music. 


Improvisation & Composition

Get inside the process of organizing sound. Whether you are experienced or dabbling in either of these, we’ll guide you to finding your voice and feeling free to trust yourself sculpting sound in these mediums. 



Crafting powerful experiences and communicating your ideas to audiences is a critical part of our job as artists. We’ll give our secrets to curation, project design and cultivating the atmosphere that will have audiences hanging on your every sound.


Mindset & Wellness

Taking care of ourselves as whole people is pretty important, so we’ll include session addressing body use, movement (yoga and dalcroze), and mindset so you have the tools to avoid injury and empower the whole artist within you. 



A central tenet of FluteXpansions is the belief that we are stronger together, and we are committed to providing an environment in which you can feel safe to exchange ideas, explore new skills, be messy and fearlessly encourage your unique voice.

Here’s what you’ll get: 


Personalized plan sculpted to your goals and interests

Weekly group classes in multiple key areas: 

  • Sound Labs – bring questions about anything flute-sound related for open Q&A workshopping. 

  • Electronics Labs – practical assistance with patches, interactive electronics, or performance.  

  • Deep Listening Sessions – to tune our ears into full inclusivity of all sounds

  • Analysis Labs – bring scores for didactic dissection, uncover deep structures of pieces

  • Interpretation Exploration Labs – workshop for feedback on personal interpretation questions and projects 

  • Composition Lab – experience the collaboration process from both sides as you both create and perform small new pieces working in small pods (and yes, you can present at the end!)

  • Improvisation Labs – active workshopping to explore concepts & strategies for improvisation

  • Career/Business Labs – explore possible ideas and get actionable steps to creating a custom-designed career

Masterclasses on specific repertoire interests of the participants, such as:

  • Competition Repertoire, the music of Kaija Saariaho, New Complexity, etc.

Weekly open studio sessions to share work progress

Special presentations (or labs) from faculty and guest speakers such as:

  • New music for baroque flute, Kingma system flutes, flauto d’amore, low flutes, Chaosflöte and AIYA systems

  • Career paths and development Q&A with faculty and guest artists

Recordings of all lessons, classes, presentations, and masterclasses

Access to exclusive resource handouts, exercises and guides

3 private mentoring sessions with faculty artists

Accountability partners

Exclusive private facebook group for discussions & questions outside of classes

A community of bonded colleagues for life

If you join before April 30,

you'll get these awesome bonuses:

90-Minute Group Workshop in May on sound and interpretation – consider it a jumpstart!


An Extra Private mentoring session with a faculty artist during the program

Total of 4 private sessions!


A career/business coaching session with artistic director Shanna Pranaitis

Before or during the program: I'll  help you strategize turning your goals into an income source

Early access to the Facebook group for extra jumpstart support and community


Joining early effectively gets you (at least)

1 month of extra support.


Premium Option


Do you want even more highly tailored guidance?  

Consider choosing the Premium option for more 1:1 support that is all about you! 


Here’s what you’ll get:​


90-minute private strategy session in May (or sooner!)

Delve even deeper into your goals and ideas, so you can get a jumpstart on your project & interests.

3 additional 1:1 private sessions with faculty during the course  – Total of 6! 

Unlimited email support prior to the program start (response with 48 hours) 

How do I know this is right for me?

This is for flutists & flutist/composers


  • Thrive off curiosity & imagination, learning & growth

  • Crave a deeper dive into contemporary flute sounds & music and/or ideas for teaching it

  • Have kind, generous hearts & love celebrating  and supporting others' growth

  • Want a safe place in which to be “messy” while exploring and refining their practice

And NOT those who...

  • Believe they have nothing left to learn

  • Have no interest in contemporary flute sounds


  • Want only surface-level information about performing, interpreting or creating contemporary flute music

  • Are looking to show off, “market” themselves or partake in any kind of competitive or trash-talking behavior

The world is changing fast for musicians...
Audiences for old music are dying away – They crave the new and vital experiences that contemporary music provides.
There has been an explosion of new music ensembles in recent years, which begs for a new approach to music learning, performing, and curation. 
Beautiful diversity of creators & types of music coupled with
global interconnectedness and creative uses of technology
place us in an important moment in music. 
Together, we have the opportunity to create a family of bonded powerhouse artist colleagues who use an expanded sound palette to take full advantage of new mediums and...
...present powerful experiences to audiences. 
Will you join us as a radically traditional artist, confident in holistic music-making, to create an artistic world that is equitable, creatively unfettered, and grounded in community?
Please join us in our private FluteXpansions Group!
It's a place for general community where you can ask questions, learn about contemporary flute, and hobnob with the faculty!
© 2021 FluteXpansions. All rights reserved.